A Time to Sing
Text: Psalm 137
(Gary W. Charles, Cove Presbyterian Church, Covesville, VA,
10-2-2016)
Sitting on the banks of a Babylonian
river, some six hundred years before the birth of Jesus, a despondent refugee
from Jerusalem opined, “How can we sing the Lord’s song in an alien land?”
I have never lived as a hostage in an
alien land, but I have felt like one. A few weeks ago, I spoke about living
just across the Potomac on 9/11. The days following 9/11 made the ancient words
of the Psalmist feel current. There was an eerie silence in the skies. Our
house was on the flight pattern of Washington National, but no planes were
flying. I stepped into a D.C. restaurant and got far better service than any
tip the waiter might reasonably expect, because D.C. was largely a ghost
town.
Those were some of the obvious changes
in my known world. The most powerful changes in this new, alien land were not
nearly so visible. Each day brought an awareness of losses within me. I missed
feeling immune from the rest of the world’s madness. I
missed my relative sense of calm and hated that I would jump every time I heard
a loud thud. I grew tired of having sadness stalk me like an unavoidable shadow.
I
wanted to board a plane again and not look around at other passengers in my own
private version of racial profiling. I wanted the desire for vengeance to be
someone else’s spiritual disease. As a person of faith, I missed the admittedly
misguided and unexamined notion that God watches specially over America and
would never allow terrorism, at least, large scale terrorism, to happen here. As
the national economy crumbled, I counseled with employers forced to lay off
valued employees and skilled workers who could not find work. I was frustrated
that our congregation’s substantial emergency assistance fund could not begin
to meet the new demands upon it. Amid the rumblings of war and the rhetoric of
vengeance, I wondered whatever happened to the God who promises peace that
passes all understanding.
Always a keen observer of life, the
British classicist and theologian, C.S. Lewis observed his own travels through
grief. After he lost his late-in-life bride, Lewis wrote down his daily
thoughts in his book, A Grief Observed. He asks, “Meanwhile, where is God? This is one of the most
disquieting symptoms [of grief]. When you are happy, so happy that you have no
sense of needing God, so happy that you are tempted to feel God’s claims upon
you as an interruption, if you remember yourself and turn to God with gratitude
and praise, you will be – or so it feels – welcomed with open arms.
“But go to God when your need is
desperate, when all other help is in vain, and what do you find? A door slammed
in your face, and a sound of bolting and double bolting on the inside. After
that, silence. . . Why is God so present a commander in our time of prosperity
and so very absent a help in time of trouble?” (C.S. Lewis, A Grief Observed,
pp. 4-5; inclusive language my own).
Did you notice what was missing as we just
sang the haunting Latvian hymn, By the Babylonian Rivers? The hymn
captures a longing for home, nostalgia for a treasured past, weariness with
life lived in an alien land, but it stops before the Psalmist does. It leaves
the last verses on the cutting room floor.
The last verses of Psalm 137 are an
uncensored cry for the most brutal revenge, “O daughter Babylon, you
devastator! Happy shall they be who pay you back what you have done to us!
Happy shall they be who take your little ones and dash them against the rock!”
For years, preachers, church musicians,
and lectionaries have carefully excised these last treacherous verses of the
Psalm. It is a natural mistake, but ultimately, a misguided one. I am not
commending the Psalmist for wishing the death of his most vulnerable foes and
in the most horrendous of ways. I am not excusing his rage as justified.
What I am commending is the wisdom of the
Hebrew and then Christian communities that insisted that this Psalm, in its entirety, needs to be a part of
our Scripture, because it reflects an essential part of who we are. When hurt,
we want others to hurt. When maligned, we want to malign in return. When
devastated, we will not rest until others are devastated as well.
This Psalm knows what church censors are
too embarrassed to admit. It knows that sometimes we godly folk think ungodly
thoughts and say ungodly things, that the hearts of righteous people can dry up
like a prune in the face of evil and that if God will not get even, we
will.
“How can we sing the Lord’s song in an
alien land?” I heard that question asked a thousand different ways in the
aftermath of 9/11. How can we open our lungs wide and sing when grief has taken
our breath away? What words of praise do we have to sing to God when God has
been so conspicuously absent, noticeably silent, despite our most fervent pleas?
“How can we sing the Lord’s song in an alien land?” The clear answer that
resounded in most of us in those dark days that followed 9/11 was “We can’t.”
So we sat beside the banks of the Potomac and the Hudson and we wept and we
shouted our pain to the heavens.
Of all the things I missed most after 9/11,
the greatest of them all was the urge to sing, sing aloud, to sing praise to
God who reigns above, the God of all creation. I was terrified of the spreading
cancer of hatred that threatened to consume me and our country. I had
absolutely no desire to sing.
Sitting on the same banks of that
Babylonian river, another hostage refused to “hang up his lyre.” Recognizing that his view of God had been too provincial
before the destruction of Jerusalem, too small, too nation-centered, and
trusting that God wills people and nations from grief into joy, from despair
into hope, the prophet Isaiah wrote: “See, the former things have come to pass,
and new things I now declare; before they spring forth, I tell you of them.
Sing to the LORD a new song; sing the LORD’s praise from the end of the earth!
Let the sea roar and all that fills it, the coastlands and their inhabitants. Let
the desert and its towns lift up their voice, the villages that Kedar inhabits;
let the inhabitants of Sela sing for joy, let them shout from the tops of the
mountains.”
After a few weeks consumed by the darkness
of silence after 9/11, I could sit at the river’s edge no longer. I had to sing
again. I had wept enough tears. I had to sing again. I had been choked with
anger long enough. I had to sing again. I had questioned the presence and
purpose of God long enough. I had to sing again. I tried, but my voice was too
frail, too broken, and my faith too fragile. I needed the faith of other
believers to sing and they needed mine.
So, after living through this national
nightmare for almost a month, I said to all who were ready to move beyond the
river’s edge and to re-string damaged instruments, “Let us sing.” Let us sing
praise to God who raises heroines and heroes among ordinary folk, who prompts
poets to write and musicians to compose, artists to paint and architects to
re-build. Let us sing praise to God who prods us to ask ourselves what is
really important about life, to stop chasing that which intoxicates us, only to
leave us empty and shallow. Let us sing praise to God who reaches down within
us and plants seeds of peace where hatred festers, a passion for justice where
vengeance lingers, a vision of forgiveness and reconciliation where retaliation
burns, a new song where old words simply no longer make sense.
Easter morning did not erase the haunting
laments of Maundy Thursday or the horror of Good Friday; it only made the
Easter song that much sweeter and lyrical and lovely. Easter morning taught
Christians to sing even in the dark, even at the river’s edge.
So, as we come to the table today with
Christians across the world, many who are now living an alien existence, as we
pray our multi-language prayer to the God who reigns over God’s beloved world,
I say, “Sing.” Sing until we drown out the despair that seeds its cancer within
us. Sing until we blanket the earth with a chorus of contagious compassion.
Sing until we defy anyone to sow terror in the fields of God’s peacemaking
people. Sing until we refuse to raise the offspring of violence. Sing until the
sour lyrics of greed are translated into the sweet poetry of grace and
gratitude.
The old preacher in Ecclesiastes was
absolutely right, “There is a time to mourn.” There is a time to hang up our
lyres and weep. But the old preacher did not stop there. He also said, “There
is a time to sing.” Yes, there is a time to mourn and some must do so even today,
but for all who are able and who have a voice to lift up someone who simply cannot,
it is time to sing. Lord God Almighty, it is time to sing.
[choir sings the 16th
Lutheran Chorale, “Shall I praise my God not singing?” set to music by Alice
Parker]
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